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1millionsafeworkinghours · 29 days ago

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George Bellows, Stag at Sharkey’s (1909)

#george bellows #art

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fordarkmornings · 4 months ago

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George Bellows (American, 1882–1925)

Two Girls, 1917

#George Bellows #women in art #american art #1900s #1910s #*

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venustapolis · 26 days ago

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Summer Night, Riverside Drive (George Bellows, 1909)

#art #painting #George Bellows

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lionofchaeronea · 2 months ago

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Title: Edge of the Pasture -- Glow of the Sun Artist: George Bellows (American, 1882-1925) Date: 1916 Genre: landscape painting Movement: Ashcan School Medium: oil on panel Dimensions: 45.7 cm (17.9 in) high x 55.9 cm (22 in) wide Location: private collection

#art #art history #George Bellows #landscape #landscape painting #landscape art #Maine #New England #Ashcan School #The Eight #American Realism #American art #20th century art #oil on panel #private collection

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justineportraits · 3 months ago

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George Bellows Nude Girl, Miss Leslie Hall 1909

#george bellows

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disciplinethepainter · 6 months ago

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#george bellows #1921 #counted out #lithograph

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thunderstruck9 · 1 year ago

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George Bellows (American, 1882-1925), Tennis Tournament, 1920. Oil on canvas, 59 x 66 in.

#george bellows #american art #tennis #tennis match #tennis court #trees #spectators

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classicdavinci · 1 month ago

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George Bellows (American, 1882-1925) Little Girl in White (Queenie Burnett) 1907

#fine art #artist #art history #oil on canvas #history #fineart #artwork #painting #oil painting #art #George Bellows

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de-mykel · 8 months ago

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George Bellows. Mountain Farm, 1922.

oil on board

#landscape painting #george bellows #20th century painting #american realist

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portrait-paintings · 21 days ago

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My Mother

Artist: George Wesley Bellows (American, 1882–1925)

Date: 1921

Medium: Oil on canvas

Collection: Art Institute of Chicago, Chicago, IL, United States

Description

“There she would sit, as in a throne,” a niece once recalled of George Bellows’s mother, Anna. In this painting, which evokes the Parisian interiors of such French artists as Édouard Manet, Bellows depicted his mother in a large chair in the Victorian parlor of their family home in Columbus, Ohio. This forthright presentation of a distinguished, elderly woman with a strong character, coupled with the subdued palette, also recalls the portraiture of Thomas Eakins, whom Bellows greatly admired. The painting’s power derives in part from its highly structured composition. Influenced by the artist Jay Hambidge’s theory of dynamic symmetry, Bellows constructed the portrait in an organized, geometric arrangement of proportionate rectangles and triangles.